Jon Cleary & The Absolute Monster Gentlemen
Jon Cleary & The Absolute Monster Gentlemen are NOT performing at the 2024 Big Blues Bender.
This page is an archive from thier past perfomance(s).
Jon Cleary & The Absolute Monster Gentlemen have appeared on 1 Big Blues Bender lineup.2021
Jon Cleary’s love and affinity for New Orleans music goes back to the rural British village of Cranbrook, Kent, where he was raised in a musical family. Cleary’smaternal grandparents performed in London in the 1940s, under the respective stage names Sweet Dolly Daydream and Frank Neville, The Little Fellow With TheEducated Feet – she as a singer, and he as a crooner and tap dancer.
As a teen, Cleary grew increasingly interested in funk-infused music and discovered that three such songs that he particularly admired – LaBelle’s“Lady Marmalade,” Robert Palmer’s version of“Sneakin’ Sally Through the Alley,” and Frankie Miller’srendition of“Brickyard Blues” – were attributed to Allen Toussaint as either the songwriter, the producer, or both. Cleary’s knowledge of Toussaint’s work expanded significantly when his uncle returned home to the U.K., after a two-year sojourn inNew Orleans, with a copy of a Toussaint LP and two suitcases full of New OrleansR&B 45s.
In 1981 Cleary flew to New Orleans for an initial pilgrimage and took a cab straight from the airport to the Maple Leaf Bar, a storied venue which then featured such great blues-rooted eclectic pianists as Roosevelt Sykes and James Booker. Cleary first worked at the Maple Leaf as a painter, but soon graduated to playing piano there – even though his first instrument was the guitar, which he still plays and has recently reintroduced into his live performances.
As word of Cleary’s burgeoning talent began to spread around town, he was hired by such New Orleans R&B legends as Snooks Eaglin, Earl“Trick Bag” King, JohnnyAdams, and Jessie“Ooh Poo Pah Doo” Hill, while also gaining the respect of the great Crescent City pianists Dr. John and the late Allen Toussaint. Years later, in2012, Cleary recorded a critically acclaimed album of all-Toussaint songs entitledOccapella.
Today, Cleary’s work pays obvious homage to the classic Crescent City keyboard repertoire created by such icons as Jelly Roll Morton, Fats Domino, ProfessorLonghair, Art Neville, Dr. John, and James Booker – while also using it as a launching pad for a style that incorporates such other diverse influences as’70s soul and R&B, gospel music, funk, Afro-Caribbean and Afro-Cuban rhythms, and much more.
Deciding to stay in New Orleans, Cleary recorded his first album of nine, to date, in1989. His ever-elevating profile led to global touring work in the bands of Taj Mahal, John Scofield, Dr. John, and Bonnie Raitt. Cleary has led his own group, the Absolute Monster Gentlemen, for over two decades now, but he still collaborates frequently with these old friends. At the 2018 New Orleans Jazz & Heritage Festival, for instance, Cleary performed alongside Raitt in a heartfelt tribute to Fats Domino.